India to host a cultural programme ‘Remembering Tagore’ at Hall 1, UNESCO House, Avenue de Suffren,
Paris on 12th September 2011 to commemorate the 150th
Birth Anniversary of Gurudev Rabindranath Tagore. The programme is part of the
two-day High-Level Sponsoring
Committee (HLSC) for the Reconciled Universal for Rabindranath Tagore, Pablo
Neruda and Aime Cesaire. The
Additional Secretary, Union Ministry Of Culture Shri Rakesh Garg would represent the
Ministry on the occasion. Arrangements have been made for Live Webcast of the
programme.
For “Remembering Tagore”
Live Webcast broadcast, please visit mms://stream.unesco.org/live/room_1_floor.wmy
at 10 P.M (IST) onwards on 12 September, 2011.
The Cultural Programme details as approved
by the Finance Minister Shri Pranab Mukherjee as Chairman of the National
Implementation Committee is as under-
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SN
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Item
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1
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Documentary on
Tagore by Satyajit Ray: English wit French
Subtitles
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2
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Hindi rendition
of Tagore’s songs by Smt Kavita Krishnamurti Subramaniam
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3
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Violin Recital
–Tagore’s music-Dr L Subramaniam
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4
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Bangla rendition
of Tagore’s songs Ms Shama Rahman
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5
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Recitation of
Tagore’s poems- Ms Aparna
Sen
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6
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Tagore Lounge- Mr Bickram Ghosh (Tabla) and Ms Shama Rahman (vocals)
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7
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Bangla Rendition
of Tagore Song- Santanu Roy Choudhary
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Documentary Film on Satyajit Ray :
Satyajit Ray was an admirer of the man Tagore, his works
and vision. He not only made films from
five of Tagore’s stories, but also took upon the task to make this dramatized
documentary on the life of the poet-laureate.
Produced in 1961, the same year in which Ray made ‘Teen Kanya’ from the three of Tagore’s
stories, this documentary was made to celebrate Tagore’s birth centenary. Conscious that he was making an official
portrait of India’s
celebrated poet, Ray refrains from touching upon the controversies in Tagore’s
life. However, lovers of cinema will see
the deft cinematic touches of a master filmmaker that sets it apart from most
biographical documentaries in the world.
The dramatized sequences in the film of the young Tagore are moving and
lyrical, befitting the biography of one of the most progressive men, ever.
Recitation of Tagore’s poetry by Aparna Sen :
Aparna Sen is one of the India’s
most celebrated cinema Directors. Her
directorial debut film “36 Chowringee Lane”
won the Grand Prix at the Manila International Film Festival and the National
Award for Best Direction in India. Her directorial work also includes memorable
films such as ‘Sati’, ‘Paroma’, and ‘Yugant’. Aparna Sen is also a film actress and has won several awards for
acting. Ms. Sen
has served on juries at many international film festivals, such as
International Film Festival of India, Moscow International Film Festival, and
the Hawaii International Film Festival. Aparna Sen has also been honoured with some of India’s most prestigious awards
including the Padmashree Award by the President of
India and the Satyajit Ray Lifetime Achievement
Award. She is also involved with
theatre.
. Hindi
rendition of Tagore’s poems by Ms. Kavita Krishmanurthy :
Undoubtedly
one of the favourites of the critics and the masses, Kavita’s singing career reads like a fairy tale. Her exquisite and mellifluous voice, wide
range and, versatility to sing different styles and types of songs has put her
in a unique place amongst singers and she has been quoted as a ‘Melody Queen”
by leading critics and connoisseurs alike.
Although primarily a playback singer, with over 15,000 songs to her
credit, Kavita has not allowed herself to be limited. She has sung with orchestras as a soloist,
she has collaborated with Western artists from the Jazz, Popular and Classical
fields. She has sung ghazals
and devotionals. She has even sung
Indi-Pop. In 2010, she took over as
Artistic Director of the Lakshminarayana Global Music
Festival.
At UNESCO’s programme she sings ‘Surya Taaron se’ (Aakash Bhora), ‘Teri Awaj Pe yadi’
(Jodi Tor Daak Shone), ‘Tum
Kya Ho Bas (Tum Kee Keboli) and Man Mera udta Jaaye (Mono Mor Meghaero Shongae)-
all Hindi renditions of Tagore’s songs.
Violin Recital of Tagore’s music
by Dr. L. Subramaniam :
Dr.
L. Subramaniam, violin maestro, is one of the rare
musicians who has performed and recorded Carnatic
Classical Music, Western Classical Music, both Orchestral and non-Orchestral,
and also composed for and conducted major Orchestras, scores for films and
collaborated with a wide range of some of the greatest musicians of the world
from different genres of music including jazz,
jugalbandis with North Indian musicians, world
music and global fusion. He has
established himself as a force that is strongly Indian, but universal in nature
and approach. He is the creator of the Global Music concept and the
founder/director of the Lakshminarayana Global Music
Festival and the Subramaniam Academy of Performing
Arts.
Tagore’s
music was influenced by Baul music, Western Classical
music, Scottish Ballads, Irish folk music as well as Thumri
style of Hindustani music. Interestingly
he was also influenced by Carnatic –South Indian
Classical music. Two of the most popular Tagore songs that can be directly
connected to the influence of Carnatic Krithis are ‘Ekri labanya purano praan’ and ‘Baaje Karuna shure’
influenced by Thyagaraja compositions –the first
based on ‘Lavanya
Rama’ in Raga Poorna Shadjam
and the second in Needu Charanamulle
in Raga Simhendramadhyamam.
At UNESCO’s programme Dr. L. Subramanium performs a Ragam, Tanam and Pallavi in Raga Simhendramadhyamam (C D Eb F # G Ab B C) which is one of
the 72 parent scales in South Indian classical music. This is one of the most complicated musical forms in Carnatic music since it greatly depends on improvisation
and great control over melody and rhythm. The ‘ragam’
section is a free-style melodic improvisation of the raga and is called ‘Raga Alpana’. The ‘tanam’ section is a
melodic improvisation which has a rhythmic structure associated with it – an
extension of the ‘Raga Alpana’ but often using
doubling and tripling of the notes. The
‘pallavi’ section is based on a fixed composition of
one of 2 lines and is improvised upon.
For this concert, in the Pallavi section, Dr.
L. Subramaniam will use the melody of “Baaja Koreena shure”
which was a influenced by “Needu Charanamule”. For the Kalpana Swara improvisations, he
will use ragas from popular Tagore songs.
. Bengali rendition of Tagore’s poems by an
artist from Bangladesh,
Ms. Shama Rehman :
Ms.
Shama Rahman, one of the
leading contemporary Tagore artistes, from Bangladesh, has carved a niche for
herself through devotion to her medium, with her soft lilting voice. To date she has cut fourteen albums of Rabindra Sangeet.
This year alone to celebrate the 150th Birth Anniversary of
Rabindranath Tagore, Shama has cut five audio albums
of Tagore songs on Prem
(love), Prokriti
(nature), Puja
(Devotional), Swadesh
(patriotic) and Bichitra
(diverse) and to celebrate the publication of 100 years of the publication of Gitanjali, she has cut four audio albums, under UNESCO
Reconciled Universal Pogramme”.
. Tagore
Lounge by Bickram Ghosh :
World
famous percussionist and New-age star, Bickram Ghosh is ranked amongst the top Tabla
players of our country. Equally brilliant within traditional as well as
experimental genres, Bickram has carved out a unique
niche for himself in his diverse avataars as
classical musician, new - age artiste and composer. He is heralded as one of
the multi-talented virtuosos of his generation. Son and disciple of the great Tabla maestro-Pandit Shankar Ghosh,
Bickram has also learnt the nuances of Carnatic percussion from Pandit S. Sekhar.
He performed for over a decade with the legendary Pandit Ravi Shankar who honed
his skills in the art of accompaniment. He has worked with such top-ranked
Indian musicians as Ravi Shankar, Aki Akbar Khan, V.M. Bhatt and Tatun Bhattacharya.
Bickram Ghosh’s Tagore Lounge is
a unique presentation where Tagore’s mellifluous songs blend with Indian
Classical Ragas and a riveting modern soundscape
relying heavily on masterful rhythms created through a blend of traditional
acoustic and electronic instruments. In
a unique departure India’s
master drummers explore Tagore’s amazing Taals (rhythms) in an improvisational
format.
The
Programme at UNESCO features Mor Bhabonare, Mor Binaothe followed by Rabindra
Tala Sangam-an improvisation
on Rabindranath’s Tala
. Bengali
Rendition of Tagore’s poems by Santanu Roychoudhury:
Santanu Roychoudhury is well
known to music lovers of India. His innovative style and depth of voice has
won him wide appreciation both in India and abroad. He regularly sings for cinema, telefilms and TV serials.
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AD