The Vice President of India Shri M. Hamiod Ansari has said that Sachidanand Hiranand Vatsyayan ‘Agyeya’
belonged to an era where it was possible to be a master of many crafts. As a
towering literary personality, he initiated new and experimental trends in
almost all genres of literary writings including poetry, short stories,
criticism, novels, travelogues, essays and drama. Addressing at the Birth
Centenary celebrations of Sachidanand
Hiranand Vatsyayan ‘Agyeya’ at Kolkata today, he said that Ageyaya also
ventured into journalism and took up causes of the poor and the oppressed and was a patriot and a revolutionary freedom
fighter on whom Chandrashekhar Azad left a deep impression. He was a polyglot,
well-versed in Hindi, English, Sanskrit and Persian. He also had a stint in
Indian Army and took part in social movements for the benefit of the
downtrodden. His interest also extended into academia, especially the teaching
of Hindi. The range of his interests and the deep philosophical underpinnings
of his literary output, which at a certain level resonates with Vedantic
thought, have established him as a literary figure in the footsteps of Vishwa
Kavi Rabindranath Tagore.
He said that Vatsyayanji struggled to make Hindi a
vibrant, volatile, alive and growing language – not a “standard, well regulated
and universally accessible form” of Hindi which he felt would only be good for
official notifications and regulations. While such a standardized and dry
language might be useful for spreading literacy, he felt that the logic of
literacy can not be the logic of a national language. He very forcefully argued
that a language cannot be an artificial creation like Esperanto but should be a
growing, and therefore changing and stable language that grows from the depths
of the minds of ordinary men and women.
Following is the text of Vice
President’s address :
“It
gives me immense pleasure to take part in the Birth Centenary celebrations of
the Shri Sachidananda Hiranand Vatsyayan, better known as ‘Agyeya’. It is a
matter of satisfaction that the Prabha Khaitan Foundation, the Sahitya Akademi and
the Raza Foundation have taken the initiative in organizing the celebrations in
Kolkata. Agyeya belonged to an era where it was possible to be a master of many
crafts. As a towering literary personality, he initiated new and experimental
trends in almost all genres of literary writings including poetry, short
stories, criticism, novels, travelogues, essays and drama. He also ventured
into journalism and took up causes of the poor and the oppressed. He was a
patriot and a revolutionary freedom fighter on whom
Chandrashekhar Azad left a deep impression. He was a polyglot, well-versed in
Hindi, English, Sanskrit and Persian. He also had a stint in Indian Army and
took part in social movements for the benefit of the downtrodden. His interest
also extended into academia, especially the teaching of Hindi.
The
range of his interests and the deep philosophical underpinnings of his literary
output, which at a certain level resonates with Vedantic thought, have
established him as a literary figure in the footsteps of Vishwa Kavi
Rabindranath Tagore.
To
an extent, his pen name is most appropriate to his personality. Agyeya, ‘the
unknowable’, was most in evidence in his poetry. The Experimentalist School, or
the Prayogvada, was led by Shri Vatsyayan. The poet’s canvas was wide and
concerns diverse. It ranged from the problems of language and how it reflects
the altered identity, a focus on silence and the power of utterance to summon
meanings, and use of poetry as truth telling.
I
would like to highlight four issues from the thoughts and the writings of
Agyeya that have contemporary literary, political and social significance.
The
first of these relates to the intricate
relationship between literature and politics. Agyeya realized that the link between
the two goes back to Vedic times. Indeed, Vedic hymns were used to win battles
and the Mahabharata and Ramayana laid down the rules of war and royal conduct.
He believed that poetry on politics was the best use of poetry. Yet, he was
careful to draw the distinction and warn that patriotic poetry should not lead
to an overemphasis on a religious-spiritual ethic or even religious
nationalism. On the other hand, being completely anti-political too was not a
solution.
Shri
Vatsyayan felt that a poet does not cease to be a citizen or a political person.
Even a denial of involvement in politics constitutes political action. He
asserted that poetry changes society because the poet has been influenced and
has changed. His emphasis was not on politics or poetry but on the changes in
the poet-citizen.
Second, Vatsyayanji struggled to make
Hindi a vibrant, volatile, alive and growing language – not a “standard, well
regulated and universally accessible form” of Hindi which he felt would only be
good for official notifications and regulations. While such a standardized and
dry language might be useful for spreading literacy, he felt that the logic of
literacy can not be the logic of a national language. He very forcefully argued
that a language cannot be an artificial creation like Esperanto but should be a
growing, and therefore changing and stable language that grows from the depths
of the minds of ordinary men and women.
Third, Agyeya bemoaned the fact that as
our social and political life became complex, it has become very difficult to
focus popular ire. Power and exercise of power has become more diffused. Kindly
allow me to quote him in this regard:
“In today’s politics, there is often
confusion about whom one is fighting….Power –
tyrannous power – now has no face….. The struggle today is against the faceless
enemy; that is why we are continually providing it new faces and looking for
successors as one face after another disappears off the stage….The struggle is
against an entire establishment, a system of power, which includes the
government and the social order – and therefore, also ourselves”.
Fourth, Agyeya gives us the definition
of a great writer. According to him, a great writer “communicates to us a
dimension of reality which extends our experience to its utmost range” and
which might remain unnoticed if he had not showed it to us and which we cannot
forget or ignore once it has been shown to us. By this definition, there is no doubt
that he remains one of the greatest writers in Hindi literature whose writing
have opened up many dimensions of reality to his readership.
Birth
anniversaries provide us an occasion to pause our
routine and flow of habit and introspect on various aspects of our lives and
look for meaning. Birth centenary celebration of a towering literary figure like
Agyeya is also an occasion for us to think about the realm of individual
possibility, depth of mental capacity and the complexity of linguistic intricacy.
Hindi
was not the mother tongue of Agyeya yet it did not prevent him from becoming an
exceptional Hindi writer. His fluency in English and in other languages was
more in tune with the leaders of the Indian renaissance that emerged in Bengal.
In fact, Agyeya acknowledged that his mind was ‘disciplined through the medium
of English’. He pointed to Ram Mohan Roy as to how someone with a ‘traditionally
trained intelligence’ could face the West through English.
I
hope that the deliberations during the course of the centenary celebrations
will focus on some of these issues. The life and work of Shri Sachidananda
Hiranand Vatsyayan is an inspiration to our youth and any effort to popularize
it deserves our full appreciation and support. I wish the deliberations all
success and thank the organizers for inviting me to this function.”
*****
Sanjay Kumar/VPI/22.02.12