The Vice
President, Shri M. Hamid Ansari
has said films played a significant role in portraying the linguistic and
regional diversity of our culture. Indian cinema had successfully adapted
traditional Indian narrative and oral traditions to the requirements of
technology and formats of new media. Our films had become ambassadors of our
culture, tradition and society. They fostered people-to-people relations and
promoted our image and interests that had enduring significance. Indian
commercial cinema formed a principal element of our culture and impacted the
lives of the people. The Vice President, Shri M. Hamid
Ansari stated this while delivering his address at
the 59th National Film Awards function here today.
Elaborating
further, the Vice President said selection of two films in regional languages
as the Best Feature Films, was an achievement for regional film industry. It was
an under-appreciated fact that over 80 per cent of the films certified for
public exhibition were regional films. Complimenting
Dada Sahab Phalke Award
winner, the Vice President said the partnership of Shri Soumtira
Chatterjee with Satyajit
Ray could be counted as a memorable director-actor combination in the history
of cinema. The Vice President also lauded the 11 children who had won the Best
Child Artists Awards for the 59th National Film Awards.
Speaking
on the occasion, Minister for Information & Broadcasting, Smt. Ambika Soni said that the year 2013 would be observed as
the Centenary year of Indian Cinema. India’s first full length feature
film “Raja Harishchandra” was released on 3rd
May 1913 at Mumbai’s Coronation Cinema. To commemorate the release of India’s first
film, the National Film Awards Ceremony would now on be held on 3rd
of May every year.
The Minister added that cinema had always
been the social mirror of Indian society, acting as a catalyst and believing in
the power of ideas, human relationships and the plurality of Indian culture. She
stated that cinema reflected the vast diversity and the intrinsic plurality of
the Indian society. These awards have
encouraged young film makers to believe in the “Essence of Good and Meaningful
Cinema”. Elaborating further, the
Minister stated that regional languages continued to be the mainstay of Indian
cinema and that
the National Film Award was an acknowledgement of good cinema
irrespective of language barriers and budgetary constraints. The recognition
given to offbeat film reflected the depth of national awards on the one hand
and at the same time would encourage film makers in many other regional
languages to make quality films.
On
the occasion, the Minister mentioned that few projects were being undertaken by
the I&B Ministry to commemorate the centenary
celebrations of Indian Cinema. The first
related to the setting up of the “National Heritage Mission”, to digitalise and
restore all audio and video tapes of Indian films for which over Rs.500 crores have been set aside in the XII Five Year Plan. The
second project pertained to the setting up of the Museum of Indian Cinema. It would
be housed in the Films Division Complex in Mumbai. The Heritage building of Gulshan Mahal, a popular filming
location would be restored by December, 2012 and the new museum building would
be ready before May, 2013.
Complimenting
the winners, the Minister said that through their ingenuity, skills &
talent, they had provided entertainment which has woven together the people of
this country into one proud nation.
The highlights of the 59th
National Film Awards are as follows:
The top honour
in the Feature Film category,
the Best Film is shared
by films Deool
(Marathi) produced by Abhijeet Gholap & directed by
Umesh Vinayak Kulkarni and Byari (Byari language)
produced by T.H. Althaf Hussain
& directed by Suveeram. The award carries Swarna Kamal and
cash prize of Rs. 2,50,000/-. In
Non-feature film category
the top honour , Best Film goes to And We Play On (Hindi & English)directed and produced by Pramod Purswane . The
awards carries Swarna Kamal
and Cash prize of Rs. 1,50,000/-. In Best Writing on Cinema category the Swarna Kamal goes to the book
titled R.D. Burman
– The Man, The Music written by Anirudha Bhattacharjee
& Balaji Vittal,
published by Harper Collins India.
Whereas Manoj Barpujari
from Assam
has been awarded Best Film Critic.
In
Feature Film category, five films have won three awards each. These Films are The Dirty Picture (Hindi), Balgandharva
(Marathi), Anhe Ghorey Da Daan (Punjabi), Deool (Marathi)
& Ranjana Ami Ar
Ashbo Na (Bengali). Six films have won two awards each. These are
Chillar Party (Hindi), Azhagarsamiyin
Kuthirai (Tamil), Aaranyakandam
(Tamil), Phijigee Mani
(Manipuri) , Zindagi Na Milegi
Dobara (Hindi) & Game (Hindi).
The Best Actor award
goes to Girish Kulkarni
for film Deool (Marathi) and Best Actress to Vidya Balan for the
film The Dirty Picture (Hindi). Azhagarsamiyin
Kuthirai (Tamil) won the award for Wholesome
Entertainment, Chillar Party (Hindi)
won Best Children Film, Best Director to
Gurvinder Singh for Punjabi film Anhe Ghorey Da Daan
, Best Singer to Anand Bhate
(Male) for Marathi film Balgandharva and Roopa Ganguly (Female) for the Bengali film Abosheyshey . Kumararaja Thiagarajan
has won the Indira Gandhi Award for Best Debut film
of a Director.
In the Non-Feature film
category, three films have won two awards each.
The Film Tiger Dynasty has won the Best Environmental Film &
Best Cinematography awards. Awards for
Best Direction and Best Editing have been taken away by the film There is
Something in the Air. Film Panchakki has been awarded Best Short Fiction and
Best Music Direction.
The number of entries in all the three broad
sections of awards ----Feature Films, Non-Feature Films and Best writing on
Cinema have been increasing year by year.
The number of entries for 2011 stood at 186 in the feature films
category, which is the highest in the history of the National Film Awards. Last year, 161 entries were received in this
category. Entries in the non-feature films category have also steadily rising and this year
156 entries as compared to 113 last year.
More and more
authors and writers are now sending their entries for awards in Best Writing on
Cinema category.
CP/ ST